Frylock covers Meatwad in shattered glass and throws him within the ocean to pop the balloon; sadly, to get him to float, Frylock has to remove Meatwad’s mind, causing him to solely float around within the water and say “Do what now?” over and time and again. Unfortunately, this would not work; the balloon turns into a massive electrified balloon which turns into even bigger when Frylock tries to destroy it with electricity from his eyes. To threat civilization’s survival for a comparatively small quick-term objective, resembling improving access to electricity in some poor countries, is foolhardy. While mainly utilizing his pictures of electricity to torment Shake, he does trigger an excessive amount of harm: he shorts out Frylock’s laptop, jumps into Carl’s pool (whereas Carl had his hand in it, blasting him throughout the yard and electrocuting him), and by chance kills his good friend, Squirrely. Shake states that he actually enjoys the Plutonians’ neat stuff, they usually lure him out into area with the promise of a $100 bill. In the opening, Carl is admiring his pool (fully decked out with painted flames and neon lights) and stopping Master Shake from getting wherever close to it because he’s weird. Oglethorpe opens the door to the Meltorium and grabs the phone from Shake, but it is Frylock and he wants to speak to Shake.
Carl, who initially paid Shake to cut his lawn, tells Frylock and Meatwad that he needs to talk to him as quickly as doable. The Plutonians’ stare at Shake open-mouthed, seemingly shocked by his look. Back on the Plutonians’ ship, Emory and Oglethorpe search in vain for the distant management that activates the Meltorium. The “house phone” starts ringing, and the Plutonians notice that they have left it within the Meltorium. Shake hangs up the telephone. When Frylock escapes the vortex (along with Carl, whose fingers have grown vastly), he finds Shake inside and berates him for not holding the hose. Eventually, another vortex opens, sucking up both the balloon and Meatwad. Frylock tries to assist by tying a backyard hose round his waist and having Shake hold on to it, but Shake ties it to a loosely-fitted gutter, and Frylock and Carl are sucked into the vortex. Oglethorpe and Emory drag Shake into the Meltorium. Oglethorpe reveals that he has a plan to betray Frylock – he will melt him, in the “Meltorium”. At Carl’s pool, Shake says he will keep the entire Mooninites’ stolen merchandise, as a result of he deserves it.
In an effort to occupy Shake they shove a few magazines by a slot at the bottom of the door, but Shake is not fascinated. When Oglethorpe states that the Plutonians’ plan is to dominate the world, Frylock expresses his doubt that they might succeed and starts hitting random buttons in an effort to beam himself back residence. Frylock chides him about utilizing fireplace, however Shake has already melted the siding off of Carl’s home in an effort to “minimize his grass”. Carl expresses his anger at Shake, but Shake states that some things simply carry risk. The United States has been the main focus of many scandals and subsequent reforms. Frylock, in a desperate attempt to remove Meatwad’s powers, has Meatwad perform a “balloonism,” having him take a blown-up balloon (formed like Squirrely) and rub it over his physique. Oglethorpe initially does not acknowledge Frylock, but then invites him into the Meltorium. Oglethorpe once more attempts to lure Frylock into the Meltorium by “tossing a Frisbee” at it, but he only drops it and stomps on it. They assure Frylock that the fact that they’re barbecuing means they’re peaceful.
These popular food fish are additionally beloved by fishermen because of their acrobatic fighting expertise when caught on a line. These glands work to secure insects; a secondary gland comes into play once a bug is caught. Shake grows bored of the pizza video, so the Plutonians play him “This Horse’s Anus”. Inside the house, Shake methods Meatwad into climbing inside the dryer. From that mess springs forth a sentient being made of various molds, who’s afterward named “Ol’ Drippy” by Meatwad. Shake’s laziness leads to an infinite mess within the kitchen. Ol’ Drippy is an altruistic character who quickly makes the others overlook about Shake’s total existence via his excessive kindness. The one bodily evidence of abuse within the case was offered by Michael Mouw, a then-novice emergency room physician at Brackenridge Hospital, who examined the 3-yr-outdated woman in 1991, on the night time she first accused Dan Keller of abuse.